1890-1918 Austrian Egon Schiele Gallery Egon Schiele (12 June 1890 ?C 31 October 1918) was an Austrian painter, a protege of Gustav Klimt, and a major figurative painter of the early 20th century. Schiele's body of work is noted for the intensity and the large number of self-portraits he produced. The twisted body shapes and the expressive line that characterize Schiele's paintings and drawings make the artist an early exponent of Expressionism, although still strongly associated with the art nouveau movement (Jugendstil). The most important collection of Schiele's work is housed in the Leopold Museum, Vienna. In 1907, Schiele sought out Gustav Klimt. Klimt generously mentored younger artists, and he took a particular interest in the gifted young Schiele, buying his drawings, offering to exchange them for some of his own, arranging models for him and introducing him to potential patrons. He also introduced Schiele to the Wiener Werkstätte, the arts and crafts workshop connected with the Secession. In 1908 Schiele had his first exhibition, in Klosterneuburg. Schiele left the Academy in 1909, after completing his third year, and founded the Neukunstgruppe ("New Art Group") with other dissatisfied students. Sitzender weiblicher Akt, 1914Klimt invited Schiele to exhibit some of his work at the 1909 Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, and Vincent van Gogh among others. Once free of the constraints of the Academy's conventions, Schiele began to explore not only the human form, but also human sexuality. At the time, many found the explicitness of his works disturbing.  Related Paintings of Egon Schiele :. | sjalvportratt | Hermits | Gerta Schiele with Eyes Closed | Dead Mother | Tod und Madchen |
Related Artists:
Giacomo Guardi
(1764-1835) was an Italian painter from Venice. The son of famous veduta painter Francesco Guardi, he continued his father's line of work, though without the same level of renown. The majority of his works are quite small views of only minor artistic interest, more akin to postcards than to his father's grand scenes, but he produced several paintings showcasing a notable level of artistic skill as well. Evaluating his legacy is somewhat complicated due to the frequency with which paintings are misattributed to him.
Anna Atkins
Tonbridge 1799-1871 Tonbridge,English botanist and pioneer of the photogram and photographic publishing. Daughter of the prominent scientist John George Children, Atkins was encouraged by him in her scientific interests. She was a competent watercolourist and published at least one lithograph. By 1823 her draughtsmanship and observational skills were refined enough for her to produce 200 illustrations for her father's translation of Lamarck's Genera of Shells. Botany was her particular love, especially the collection and study of seaweeds. Her father chaired the February 1839 Royal Society meeting at which Henry Talbot first revealed the manipulatory secrets of photogenic drawing. Father and daughter soon got a camera and took up the new art of photography, but Atkins's biggest contribution to it involved neither a camera nor her father. She conceived the idea of publishing a photographic record of her algae, making photograms by contact printing the dried specimens on sheets of sensitized paper.
DUYSTER, Willem Cornelisz.
Dutch Baroque Era Painter, 1599-1678